Painting/Printmaking (MFA)
The Master of Fine Arts in Painting/Printmaking is a rigorous, studio-centered graduate program dedicated to the advancement of contemporary artistic practice through sustained inquiry in material, form, and concept. Rooted in experimentation and critical dialogue, the program supports the development of a distinct visual language within painting, printmaking, or a hybrid of both disciplines. Students engage deeply with surface, process, scale, color, and mark-making while exploring the conceptual frameworks that shape contemporary art discourse.
The curriculum emphasizes intensive studio production alongside graduate seminars in art theory, history, and criticism. Through individual critiques, group reviews, and visiting artist engagements, students refine their work within a dynamic intellectual community.
Core Studio Courses
Graduate Painting Studio I
Exploration of contemporary painting practices emphasizing material experimentation, composition, and conceptual development.
Graduate Painting Studio II
Advanced investigation of personal visual language through sustained studio production and critical dialogue.
Graduate Painting Studio III
Refinement of an independent body of work with emphasis on scale, series development, and critical positioning.
Graduate Printmaking Studio I
Intensive study of traditional and contemporary print processes including intaglio, relief, lithography, and screen printing.
Graduate Printmaking Studio II
Expanded print practices integrating digital processes, mixed media, and experimental approaches.
Graduate Printmaking Studio III
Development of complex print-based or hybrid works that synthesize concept, technique, and innovation.
Critical Studies & Theory
Contemporary Art Theory & Criticism
Examination of major theoretical frameworks shaping contemporary art practice and discourse.
History of Painting & Print Media (Graduate Seminar)
In-depth study of historical movements, critical shifts, and global developments in painting and printmaking.
Advanced Studio Critique Seminar
Structured group critiques fostering analytical thinking, articulation of ideas, and peer dialogue.
Material Studies & Process Research
Investigation of materials, surface, texture, and process as conceptual and expressive tools.
Professional Development
Professional Practice for Studio Artists
Preparation for exhibitions, residencies, grant writing, documentation, and portfolio development.
Visiting Artist Colloquium
Engagement with practicing artists, curators, and critics through lectures, studio visits, and discussions.
Teaching Practicum
Supervised teaching experience supporting undergraduate studio courses and pedagogical development.
Culminating Requirements
Thesis Research & Development
Proposal writing, conceptual framing, and research supporting the final thesis body of work.
Thesis Studio
Independent, faculty-mentored production of a cohesive and critically engaged thesis exhibition.
Thesis Writing Seminar
Development of a written statement or thesis paper articulating research, influences, and methodology.
Final Thesis Exhibition & Oral Defense
Public presentation and formal review of the completed body of work before a faculty committee.